Filmshooting

You don’t necessarily have to reduce costs and prices. The 20th century proves explicitly that customers can be won by clever marketing, sometimes even aggressive publicity. Take a look at the home movie equipment industry. A Paillard-Bolex H camera was sold for more than $5,000 over all the years, ...

Unfortunately the Canon Scoopic DS-8 has the same spool spindles as the 16mm version has. You’ll have to rewind.

John, haven’t you ever thought of opening a store?

Not at all homemade, that’s a Bell & Howell perforator. These devices run at about 20 strokes per second. Basically it’s a 16mm one, only the tooling is different. Patented in 1917, never surpassed until today

I hope it will come as 16 soon. Just the thought of Ektachrome running through the projector makes me shiver.

Thanks for putting this up. Interesting

No difference. You cut 16mm strips from a jumbo and then perforate them. Super-8 begins as Double-Super-8. In former years, 8-S has been made from 35mm and 32mm strands for mass copying on multiple exposure printers but that’s amost forgotten. Two times 16 from 32 had also existed.

That play is normal, it’s even a mechanical necessity. Bell & Howell explained that one should turn the speed dial to somewhat faster than the desired value and then slow the mechanism down to the mark. The marks were set that same way. A strap seems to be an ebay-etsy-or-so search or a job for ...

They have shot themselves in both feet, can’t walk now, I mean the amateur motion-picture film department. Took Kodachrome away and Ektachrome. The Super-8 camera debacle isn’t so bad in my opinion. Only embarassing Kodak is a film manufacturer. They even have a burnt butt and can’t sit down therefo...

Will2 wrote: ↑Wed Jun 27, 2018 5:11 pmMy Kodak rep is looking into it.

I love that.

Know that all Super-8 derives from Double-Super-8. Kodak cuts 70mm, 65mm, 35mm, and 16mm strips from the jumbos. Perforation takes place with the longest possible rolls which are 3,000 or 2,000 feet. It would be the easiest thing for Kodak to wind 100-footers onto daylight spools, give each a sticke...

Purely mechanical models can be sent to me, I do service spring-drive cameras. Beaulieu M, R, and T are welcome. Hourly rate 90 francs

PM please in case of interest

You use a synch roller with a counter whose cyphers are painted over with phosphorescing paint. You can also install a lighttight funnel with a little bulb or a LED inside to peep in or a contact switch in conjunction with an electronic counter so installed that its light doesn’t reach the film. May...

Dead right and a notion discussed already over fifty years ago There are lighter tripods than the Universal (other MIller brother) I showed. Nothing against lighter tripods, monopods, any support or rest In the cinematic language, camera movement has a meaning like a hard cut, like perspective. To m...

post-35633-0-59127300-1300826380.jpg Many thanks for the subject! As a technician I much too often am not heard. A motion-picture camera belongs on sticks. 999 per mille of what we see in the movie theatres are steady shots. All that hipster, self-declared artists hand camera blurr is an insult and...